Provenance Of

The influences behind Against the Grain (À rebours)

30 works across 27 centuries, back to Odyssey and Hebrew Bible (Tanakh).

  1. Cover of Aeneid

    19 BCE

    Aeneid

    Virgil

    Augustan. Augustan Rome. Written in Latin.

    Epic of the Trojan Aeneas's flight from burning Troy and his founding of the Roman line in Italy.

    What it handed down

    To The Flowers of Evil (Les Fleurs du mal) (1857)

    Direct source, well documented.

    'Le Cygne' opens 'Andromaque, je pense à vous,' recalling Aeneid Book 3, where Aeneas finds Hector's widow mourning by a false Simois river in exile. Baudelaire uses Virgil's image of displaced grief to frame the rebuilding of Paris.

    To Hamlet (c. 1600)

    Direct source, well documented.

    The First Player's speech on Pyrrhus slaughtering Priam reworks Aeneas's account of Troy's fall in Aeneid Book 2. Hamlet asks for it as 'Aeneas' tale to Dido.'

    To Inferno (c. 1314–1320)

    Direct source, well documented.

    Virgil is Dante's guide through Hell, and Aeneid Book 6, Aeneas's descent to the underworld, supplies figures such as Charon and Minos. Dante names Virgil as his master and the source of his style.

    To Satyricon (c. 60 CE)

    Direct source, well documented.

    The poet Eumolpus recites a 'Capture of Troy' in verse that reworks Aeneid Book 2. Petronius mocks contemporary epic ambition through such Virgilian pastiche.

    Where it came from

    Find “Aeneid” on Amazon

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Preview card: the tree of influence behind Against the Grain (À rebours)